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Crown findings catalog download12/25/2023 ![]() ![]() The course also critiques international claims to these and other Iraqi antiquities, with a focus on their excavation by European empires and American universities their acquisition by “encyclopedic” museums and the digital colonialism of current replication schemes. The royal jewels from the cemetery at Ur, the Law Code of Hammurabi, and the palatial sculptures from Nineveh feature among the case studies. This course explores the rich libraries, splendid palaces, and innovative public monuments that emerged in ancient Iraq between 3,300 BCE and 500 BCE. Semesters Offered this Academic Year: Fall Other Categories: FYS - First Year Seminar We will focus on works of art and contemporary texts, as well as real or virtual visits to Wellesley’s Special Collections, Papermaking Studio, and Book Arts Lab, as well as Harvard's Collection of Historical Scientific Instruments and the Museum of Fine Arts in Boston. His long career provides a framework for understanding the Italian Renaissance, and the mythology surrounding that career provides insight into changing perceptions of the artist and the individual during that time. Although he is best known as a sculptor and painter, Michelangelo was also a poet, architect, civil engineer, and diplomat driven by complex artistic, religious, political, and economic motivations. This first-year seminar examines the Italian Renaissance artist Michelangelo Buonarroti (1474-1564). ![]() Notes: This course is open to all students it is required for all Art History, Architecture, and Studio Majors. Semesters Offered this Academic Year: Fall Spring Instructor: Berman, Oles, Oliver (Fall) Liu, Greene, Brey (Spring)ĭistribution Requirements: ARS - Visual Arts, Music, Theater, Film and Video Site visits and assignments will engage with the rich art and architectural resources of Wellesley's campus. Through the case studies, we will explore concepts of gender and race, cultural appropriation, political propaganda, materials and media, questions of cultural ownership and repatriation, and other historical issues relevant to our current art world. ![]() Within a global frame, this course provides an introduction to art and its histories through a series of case studies from the ancient world to the present day. Because images, buildings, and environments shape our ways of understanding our world and ourselves, learning how to look closely and analyze what you see is a fundamental life skill. ![]()
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